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Colby College Museum of Art previews new Alfond-Lunder Family Pavilion

Colby College Museum of Art previews new Alfond-Lunder Family Pavilion
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At a press luncheon on Monday, Marsh 25, the Colby College Museum of Art in Waterville, Maine previewed the elegant and elemental new Alfond-Lunder Family Pavilion which, when it opens on July 13, will make the Colby museum the largest art museum in the state of Maine and one of the premier college art museums in the country. The initial exhibition will focus on the gift of more than 500 works of art worth more than $100 million given to the museum by Peter and Paula Lunder, heirs to the Dexter Shoe fortune and avid collectors of American art.

Alfond-Lunder Family Pavilion

The fritted glass curtain wall of the Alfond-Lunder Family Pavilion reflects the surrounding Colby College campus.

The $15 million Alfond-Lunder Family Pavilion, Harold Alfond having been the founder of Dexter Shoe and one of Maine’s most generous philanthropists, is a 26,000 square feet glass box, 10,000 square feet of which is new exhibition space, giving Colby 38,000 square feet of exhibition space and 64,000 square feet overall. The new pavilion was designed by Frederick Fisher and Partners Architects of Los Angeles, the same firm that designed the 1999 Lunder Wing that houses Colby’s permanent collection of American art.

The Alfond-Lunder family has been incredibly generous to Colby over the years, the football stadium, field house, gymnasium, admissions building and now two wings of the museum bearing the family names. The late Harold Alfond gave to institutions all over the state. The Lunders have focused their educational giving on Colby, Peter Lunder being a 1956 graduate, and have made substantial gifts to the Maine General Hospital and Massachusetts General Hospital. The Lunders have homes in Scarborough, Maine, Boston and Palm Beach.

Finette, 1859 etching and drypoint

Finette, 1859 etching and drypoint by James McNeill Whistler. The Lunder Collection

Peter Lunder, a nephew of Harold Alfond who ran Dexter Shoe for many years, and his wife Paula began collecting seriously in the 1980s and their collection now numbers more than 600 works of art. While the opening exhibition of the Lunder gift (July 13 to June 8, 2014) is arranged by broad themes — children, seasons, cowboys and Indians, etc. — what visitors who pay attention will see is the progress and evolution of the Lunders’ taste. The Lunders began collecting conservative European art and then became more and more focused on American art, the collection having pockets of concentration on Santa Fe artists , James McNeill Whistler, American masters and, most recently, contemporary American art. The collection spans 1796 to the present and is a fine survey of American art.

The works that drew the most attention from the 15 to 20 members of the press at the March 25 preview were Claes Oldenburg’s 1977 stainless steel, cement and aluminum Typewriter Eraser, a Pop Art statement goofily dated now that typewriters are a thing of the past, and Duane Hanson’s 1973 Old Man Playing Solitaire, a life-like portrait of the artist’s father in resin and fiberglass.

Typewriter Eraser

Typewriter Eraser by Claes Oldenburg. The Lunder Collection

Old Man Playing Solitaire

Duane Hanson’s 1973 Old Man Playing Solitaire, polyester resin and fioberglass polychromed in oils, Colby College Museum of Art director Sharon Corwin, and Maine Sunday Telegram art critic Daniel Kany.

 

The Alfond-Lunder Family Pavilion houses galleries, studio space and educational space for the museum’s k-12 school outreach program. Though its severely minimalist glass box form is a dramatic departure from the predominant red brick Georgian architecture of the Mayflower Hill campus, the new wing glows from within at night and during the day reflects the surrounding buildings in its peculiarly muted glass walls. When I first saw the rendering below, I mistakenly assumed the building was still covered in construction plastic, but that is just the dulling effect of the horizontal striations of the fritted glass used to diffuse daylight and conserve energy.

01.-Colby-Museum-Rendering-Day-560x213

Do not adjust your set. The photo below is a view of construction workers on the roof of a new science building under construction across the street as seen through the fritting of the Alfond-Lunder Family Pavilion.

construction workers

For the next ten years, a soaring wall painting by Sol Lewitt will grace the street side of the glass wing. The courtyard entrance features Richard Serra’s steel cubes, minimalist sculpture that foreshadows the high seriousness of the Alfond-Lunder.

The Alfond-Lunder Family Pavilion illuminated from within revealing the Sol Lewitt wall drawing on loan to the museum for ten years.

The Alfond-Lunder Family Pavilion illuminated from within revealing the Sol Lewitt wall drawing on loan to the museum for ten years.

[Colby College Museum of Art, 5600 Mayflower Hill, Waterville ME, 207-859-5600.]

Please Note: This article was accurate at the time of publication. When planning a trip, please confirm details by directly contacting any company or establishment you intend to visit.

Edgar Allen Beem

Author:

Edgar Allen Beem

Biography:

Take a look at art in New England with Edgar Allen Beem. He’s been art critic for the Portland Independent, art critic and feature writer for Maine Times, and now is a freelance writer for Yankee, Down East, Boston Globe Magazine, The Forecaster, and Photo District News. He’s the author of Maine Art Now (1990) and Maine: The Spirit of America (2000). In 1988, he won the Manufacturers Hanover Art/World Award for Distinguished Newspaper Art Criticism for his coverage of the 1987 auction sale of Vincent Van Gogh’s Irises. Ed says, “My credo as an arts writer has long been: ‘The work of art is the search for meaning.’ I believe art is not only a form of personal expression but also a form of inquiry, every bit as much a quest for truth as scientific research.” Ed Beem’s newest book, Backyard Maine: Local Essays, has just been published by Tilbury House, Publishers, of Gardiner, Maine. It’s not about the meaning of art; it’s about the meaning of family, community, and life in general. Edgar Beem is currently at work on a new book about contemporary art in Maine to be published in the fall of 2012.
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