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Rustic Lakefront Home in Maine | A 400-Square-Foot Getaway

Rustic Lakefront Home in Maine | A 400-Square-Foot Getaway
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A second home doesn’t have to drain your bank account. One intrepid New Englander reveals how she landed her perfect waterfront getaway for less than $200,000.


Photo/Art by Lynn Karlin

Some people like their vacation houses big—equipped with every convenience and luxury. But photographer Lynn Karlin has a different idea. At her tiny lakefront home near Belfast, Maine, she can drop in without fanfare, take a dip, read by the fire, and dine under the stars–then hop in her car and head back to town worry-free. It’s a Thoreau-like approach to weekend living, a minimalist sort of R&R.

Fresh lake breezes blow through the cottage's siting area.
Photo/Art by Lynn Karlin
Fresh lake breezes blow through the cottage’s siting area.

Typically, a simple getaway isn’t so simple to achieve. While property is expensive in itself, furnishings, taxes, and plain old upkeep can turn what was once a retreat into an endless source of worry.

Then again, maybe not. Karlin is eminently practical, something she learned, no doubt, while building her commercial photography career in New York in the 1970s. Originally from Queens, she became the first female staff photographer at Women’s Wear Daily, traveling the world and capturing the likes of Jackie Onassis and Princess Grace. A stint at the New York Times Magazine followed. Forever ready for an assignment, she perfected a light and nimble journalist’s lifestyle.

But Karlin harbored an insatiable agrarian fantasy. On a visit to back-to-the-landers Helen and Scott Nearing’s farm in Harborside, Maine, in 1983, she discovered the beauty and solace of coastal living and decided to drop anchor. She quit her job, sold her New York home, and began farming with her husband, using her camera to document the many moods of rural Maine. Their beautiful book, Maine Farm: A Year of Country Life, published in 1991, captured that time.

Complementary paint colors define the distinct spaces within the cottage's open floor plan.
Photo/Art by Lynn Karlin
Complementary paint colors define the distinct spaces within the cottage’s open floor plan.

A year later, Karlin separated from her husband and landed in Belfast, establishing herself as a garden and interior photographer for magazines. Almost immediately, she began to plot her weekend escape. Her initial attempt at a second home–a camp about 45 minutes away–didn’t work out. She didn’t visit often enough to justify the cost. “I learned that I had to have a place nearby,” she says. So for almost three years, Karlin hunted for a better spot.

While searching, practicality (and frugality) guided every decision. “Keep it simple,” she continually told herself: no computer, no TV, no frills. An avid swimmer, Karlin wanted a place on a quiet lake. And because she wanted to be at the pond’s edge, she needed an existing camp grandfathered into that location. (Newer houses have to be built at least 75 feet back.) It also had to be small, to keep taxes down.

The original dark plywood interior was repainted in a soft palette of whites and grays.
Photo/Art by Lynn Karlin
The original dark plywood interior was repainted in a soft palette of whites and grays.

In 2007, she found a property that met all those criteria, and at a price well under $200,000. Even better, it was surrounded by much larger properties, affording the cabin privacy at no cost to herself.

Vintage accessories give the kitchen a charmingly retro feel.
Photo/Art by Lynn Karlin
Vintage accessories give the kitchen a charmingly retro feel.

But it wasn’t perfect. The interior of the 400-square-foot 1904 home was clad in plywood, and the big, inoperable picture window overlooking the lake lacked charm. What’s worse, the sleeping loft was cut off visually from the water, making it feel claustrophobic. And the house’s foundation was compromised; she would have to jack it up to create a more-solid footing. In fact, many of Karlin’s acquaintances advised her to tear the place down.

No way, she decided. Spending about $30,000 to improve the tiny camp, she and her longtime partner, Barry Way, first removed the plywood to expose its joists and had the entire interior whitewashed, brightening it considerably. Then she updated the electrical system and swapped the single window for five wood-framed double-hungs (her highest-ticket item) that open to let in the fresh air; to get a wraparound porch effect, she installed an additional pair on either side. She replaced the bedroom wall with an arts-and-crafts balcony built by her carpenter, Jack Ruth. Now at night, she can see the moon and stars reflecting off the lake.

Updated Thursday, April 26th, 2012
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